Oh, you already know this is gonna be a good one. Get ready to nod your head or throw your laptop/mobile phone/iPad/other technological device pushed on you by capitalist brainwashing out of the window. You’re either going to love me or hate me by the end of this.
- A number of conspiracy theories – especially those to do with the Illuminati and the New World Order – are just an excuse for racism and especially for anti-Semitism. Think a powerful global force is conspiring to enslave you? According to an unfortunately large proportion of conspiracy theorists, it’s probably the Jews.
This is, of course, utter nonsense, but the Jewish diaspora have been a convenient scapegoat for hundreds of years. Jewish communities have been marginalised and segregated, they have been exiled and persecuted, and now purported “truth-seekers” are wheeling out the same old tired stereotypes to justify their ill-founded theories. The stereotype that Jewish people are money-grabbing Shylocks is sadly still prevalent. There is a historical basis for the association between Jewish communities and finance: “Jews have long been well-represented in the fields of finance and business. This is commonly attributed to the fact that for centuries, Jews were excluded from professional guilds and denied the right to own land, forcing them to work as merchants and financiers. However some academics contend that the historical evidence does not support this thesis and that Jewish financial success is instead due to the community’s high literacy rates.” (My Jewish Learning) However, it is the idea of some modern corporate entity which we can handily label “The Jews” (capital letters intentional) controlling the planet’s economy that is so bigoted and unpleasant. The Jewish population is not manipulating your bank account, dumbo, and they aren’t conspiring to take over the world.
2. 9/11 wasn’t an inside job. I know, I know – it’s a cardinal sin not to parrot that timeless adage: “Jet fuel can’t melt steel beams!” But I’ve never felt the need to assert that the 2001 tragedy was a controlled demolition, a warmongering tactic by the American government or actually done by the Israelis (it was not). Is the US government corrupt and withholding information from the public? Yes in all likelihood, as are most other governments on the face of the planet, including my own. 9/11 is a terrifying piece of collective trauma as it is.
Dick Cheney definitely made money off the Iraq War, though. (NY Times, 2004)
3. The cryptozoology community on Tumblr isn’t an inherently negative thing. Yes, Tumblr is full of cringey, pretentious teenagers with made-up genders and bad haircuts, but I was one of those teenagers once upon a time. Believe it or not, if you wade through the shitposting, there are some wonderful young cryptozoologists active on there who I admire very much, like cryptid-wendigo and cryptozoologygirls. They work hard and they seem like lovely people.
And even the shitposting serves a purpose. I’m part of a whole new generation of people invested in the field of cryptozoology and fascinated by what could be out there. Isn’t that beautiful?
4. I’ll call out racism in this community till the day I die (see this article), but I don’t think the ancient astronaut/ancient alien theory is racist. I’ve seen a fair bit of criticism recently – although it’s been going on for years – arguing that ancient astronaut theorists are racist for positing that our ancestors might have made contact and received help from extra-terrestrials. Whether you wholeheartedly believe in the AA theory or think it’s a crock of shit, I think it’s ludicrous to imply it is inherently prejudiced. AA theorists don’t believe that extra-terrestrials might have built the Giza pyramid complex because Egyptians weren’t white, but because the pyramids were built nearly 5,000 years ago and yet they align with the stars perfectly. Another oft-cited example is the prehistoric structure of Stonehenge in Wiltshire, England. It is clearly a matter of age and technology, not race and technology.
- I don’t like torture porn or excessive gore in horror films. It’s why I never “got” the Saw franchise or The Human Centipede sequence. I know people bang on and on about how “crazy” and “revolutionary” they are, but films of that type are rarely saying anything intelligent, in my humble opinion. That’s not to say I’m opposed to violence in the horror genre; I just think it needs to serve a purpose.
It’s why I object less to Salò, or the 120 Days of Sodom (1975) than I do to A Serbian Film (2010). Salò is transgressive and never loses sight of its message. It is a pessimistic reaction to the sexual revolution, depicted through its setting in fascist Italy: “[Pasolini] was especially contemptuous of the sexual liberation movement undertaken by late-60s international youth, viewing that aspiration as a bourgeois indulgence already compromised by capitalism…” (Sharrett, 2013) It is cruel and you should feel uncomfortable watching it, but it is a well-made, thoughtful piece of cinema. A Serbian Film is just nasty, with a bit of political commentary about post-Milošević Serbia tacked on the end for good measure.
I’d love to say nothing is off-limits in horror – I wish I was one of those people, but I simply am not. I have to draw a line.
2. The horror genre has a massive sexism problem. I’m going to get shit for saying this, because horror fans are some of the most zealous in the world and we can’t cope with criticism. Women’s bodies are still used like sexy props in horror films. We see women die in the most brutal of ways – as do men – but men’s deaths are rarely, if ever, sexualised to the same extent as women’s.
This is not to say female characters should never die on-screen. However, I would like to see some acknowledgement that women are murdered in their thousands in real life. Around 66,000 women are killed every year globally (Small Arms Survey on Femicide, 2017) and four women die every single day in the US, simply for being female. The lurid portrayal of femicide in horror films trivialises and fetishises this.
Truly great horror films have strong messages and speak to our deepest fears, and I think a talented horror filmmaker should be able to do this without commodifying women’s bodies. There have been some fantastic films over the course of the genre’s history which have utilised aspects of the female experience to create horror and have done so in a sensitive, smart way. We need more of that.
So there we go! I’m going to go and hide in the bunker until everything blows over. Feel free to boo and hiss in the comments.