[Feminism] encourages women to leave their husbands, kill their children, practise witchcraft, destroy capitalism and become lesbians. – Pat Robertson in an Iowa fundraising letter opposing a state equal-rights amendment, 1992
Witches or an equivalent figure can be found in folklore all over the world. To some, the witch is and has always been a benevolent figure: she is a healer, a wise or “cunning” woman with secret knowledge of tinctures and poultices. In many cultures, it is difficult to draw a distinction between witchcraft practices and natural medicine. To others, the witch is symbolic of Earth’s greatest evils. The witch serves the Devil; she turns from God and claims metaphysical power – both miracle-working and devastatingly destructive – on her own terms. Furthermore, to many people in contemporary society, the witch is symbolic simply of personal power, of a force outside the norm. The word “witch” has numerous connotations and, although the idea of witches is ancient and common to cultures worldwide, the term itself means something different to everyone. The image you visualise when someone says the word “witch” is informed by the media and the traditions you have been exposed to, whether this is with regard to literature, cinema, art, religion or folklore and folk traditions.
I think you can tell a lot about a culture from the way it perceives and depicts its witches – thematically, it’s often an extension of that culture’s views regarding women and power – so I want to delve into the evolution of the witch in popular thought. Why are so many women, myself included, claiming the label? What does it mean to be a witch in the modern world?
First and foremost, I think it’s important to draw a distinction between the “witchy” aesthetic and the actual practice of witchcraft. Of course there are women who engage with both, but just because someone has crafted a particularly spooky Instagram feed, it doesn’t necessarily mean she practises witchcraft. However, I do feel that the two are linked and have their roots in the same central issue: the subversion of our expectations about women. Witches are associated with darkness and with the macabre but, on a more general level, with all the things that make us uncomfortable. Utilising witchcraft and the symbolism of the witch as part of an aesthetic or style grants a certain power. A witchy woman can be intimidating; even if she does not participate in witchcraft practices, she can cultivate an untouchable persona in a society which seeks to make her vulnerable, to convince her that she is flawed and to prey upon her self-doubt.
I wanted to address that stylistic aspect before digging into the juicy historical and spiritual stuff (which are the areas in which I’m most interested).
In an article for The Guardian this April, the author Madeline Miller explored the relationship between witchcraft and perceptions of women: “In the late 19th century, the suffragette Matilda Joslyn Gage asserted something revolutionary. The persecution of witches, she said, had nothing to do with fighting evil or resisting the devil. It was simply entrenched social misogyny, the goal of which was to repress the intellect of women. A witch, she said, wasn’t wicked. She didn’t fly on a broomstick naked in the dark, or consort with demons. She was, instead, likely to be a woman “of superior knowledge”. As a thought experiment, she suggested that for “witches” we should read instead “women”. Their histories, she intimated, run hand in hand.” According to Miller, Gage was onto something. She argues that words used to describe male practitioners of magic, such as “warlock”, “wizard” or “magus”, don’t carry the same negative connotations we associate with the term “witch”. The cultural context of witchcraft is inherently gendered.
The word “witch” is still used to describe women in the public sphere who are disliked; Miller gives the example of Hillary Clinton’s portrayal by her detractors during the 2016 presidential election, demonstrating that “witch” has often been a stick with which to beat women, especially vulnerable women and social outcasts. A witch is unnatural and dangerous, posing a threat to the most fundamental unit of our society: the family. Able to blight crops, cause friction in the family and burden a home with illness, the witch is a direct threat to the integrity of the household. I find this particularly interesting because, throughout much of feminist theory, the household is also the frontline of misogynist oppression. We measure a lot of feminist progress by how women live within their own homes: for example, how evenly housework is shared between couples, how much husbands and male partners contribute to childcare, how women are treated and whether their personal autonomy is respected. We have been (rightly) preoccupied with how accessible it is for women to leave the domestic sphere, if this is what they want. The implication of calling a powerful woman in politics – like Hillary Clinton – a “witch” is that she represents an erasure of the values people want to impose upon their households, families and on society in general. During the US election of 2016, there was much emphasis on patriotism and a very prominent pushback against anything perceived to be “unAmerican” or “anti-American”, of which “traditional family values” forms a significant part.
(c) Tito Mouraz (2016)
Witchcraft and magick have been perceived solely as the domain of women in many cultures. In Norse society in the Late Iron Age, a female shaman was known as a völva and these women practised a type of ritual magic called seiðr. Although men practised it too, it was considered “unmanly” for them to do so, bringing a specific dishonour called ergi (roughly translated as “effeminacy”). Ergi and its adjectival form argr are also associated with Viking taboos around homosexuality, about which you can read more here. With women’s history and the history of witchcraft so intimately bound together, it’s no wonder that women have sought to reclaim the word “witch”. Our fascination with the world of the witch is certainly a product of our collective feelings about powerful women and the way we talk about them. However, I think there’s something deeper, something in the subconscious, which draws women to witchcraft long before we’re able to comprehend this socio-historical link.
Anne Theriault, writing for The Establishment in 2016, described her childhood brushes with magic. Having spoken to other women who recall performing rituals at sleepovers – all in the spirit of fun, of course – she considers these attempts at witchcraft as almost “… like a girlhood rite of passage…” and I would agree with her. I had those experiences too. I was an odd child anyway – I saw a ghost when I was about six years old and, since then, have been invested in anything paranormal. When I was in primary school, I and one of my friends would say we had magical powers. We were only pretending, but we would sit together and “practise” our magic. This intensified as I got older. In secondary school, we played games like light as a feather, stiff as a board and talked for hours about the mysteries of the universe at sleepovers. I can remember one incident in particular when I was about 13. A group of us were at one girl’s house watching Eurovision (ha!) and went out into the garden while the boring voting bit was happening. We sat in a circle with a stick of incense poked into the ground and a friend suggested we “try something”. Each of us cupped our hands together and, one by one, she went round the circle, rubbed her hands together and held her hands above ours for a minute or two. Then we looked into our hands and could “see” a ball of coloured light. (Mine was blue, by the way.)
Having done more research into New Age and witchcraft practices, I realise now that my friend was probably inspired by the idea of auras, an energy field which surrounds a person and appears a certain colour, indicating something about the health or the traits of that person. The colours we saw were likely perceptual distortions; however, it was harmless fun at the time. This was by no means a sophisticated ritual, but it straddled the line between being scary and exciting.
I have a great love of witches in folklore and in fiction; for me, they symbolise something very profound and complex about the role of women in society.
Note: there are, of course, plenty of men who call themselves “witches” and there is certainly a good article to be written about them. I just don’t think I’m the one to write it; I happen to be most interested in witchcraft within the lives of women.
Goddess Remembered: The Burning Times (1990) (documentary, National Film Board of Canada)
Lisa Bonos, Vulnerable women used to be suspected of witchcraft. Now witchiness is a sign of strength. (Washington Post)
Matilda Hill-Jenkins, Meet The Women In Modern Covens (The Debrief)
Stevie Martin, Are More 20 Something Women Turning To Witchcraft? We Asked An Expert (The Debrief)
Madeline Miller, From Circe to Clinton: why powerful women are cast as witches
Ania Rybak, How Did Witchcraft Empower Women In 2017? (Mookychick)
Anne Theriault, The Real Reason Women Love Witches (The Establishment)